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Professor Broude (PhD Columbia University 1967, MA Columbia University
1964, BA Hunter College 1962) is Professor of Art History at American
University in Washington, D.C. A specialist in Nineteenth-Century French
and Italian painting, she is the author of The Macchiaioli: Italian
Painters of the Nineteenth Century (1987) and Impressionism,
A Feminist Reading: The Gendering of Art, Science, and Nature in the
Nineteenth Century (1991; paperback reprint, 1997). She is also
the editor of Seurat in Perspective (1978), World Impressionism:
The International Movement (1990), and Gustave Caillebotte
and the Fashioning of Identity in Impressionist Paris (2002). A
pioneering feminist scholar, Broude is co-editor (with Mary D.Garrard)
of the influential anthology Feminism and Art History: Questioning
the Litany (1982), its sequel, The Expanding Discourse: Feminism
and Art History (1992), as well as The Power of Feminist Art:
The American Movement of the 1970s, History and Impact (1994).
Their most recent collection of feminist essays, Reclaiming Female
Agency: Feminist Art History after Postmodernism, was published
by the University of California Press (2005). Broude has served as General
Editor of The Rizzoli Art Series (thirty-two monographs published between
1991 and 1994) and as a member of the College Art Association's ART
BULLETIN Advisory Committee (1995-1998). Her articles have appeared
in The Art Bulletin, The Burlington Magazine, The
Gazette des Beaux-Arts, and other journals.
Professor Broude teaches three advanced courses in European
painting: Rococo to Impressionism, Post-Impressionism, and Cubism
to Surrealism. In recent years, she has offered graduate
seminars (click here for descriptions) on such topics
as Degas, World Impressionism, Modern Italian Art, and Women
Artists in the Modern Era.
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