Profile

Fernando Benadon

Chair, Department of Performing Arts
Department of Performing Arts

  • Fernando Benadon oversees the music theory & composition program in the Department of Performing Arts. His research focuses on rhythm cognition and complexity.

    Recent professional highlights include a Digital Humanities Grant from the National Endowment for the Humanities, a Guggenheim Fellowship in music composition, a CD release, a fellowship from the Mannes Music & Mind institute, and various premieres, publications, and research presentations.

  • Degrees

    PhD, Music Composition, UC Berkeley
    BM, Arranging, Berklee College of Music

  • OFFICE

  • CAS - Performing Arts
  • Katzen Arts Center - 214

  • CONTACT INFO

  • (202) 885-3452 (Office)
  • Send email Profile UserID

  • FOR THE MEDIA

  • To request an interview for a
    news story, call AU Communications
    at 202-885-5950 or submit a request.

Teaching

  • Spring 2012

    • MUS-122 Private Instrument/Vocal Study: Composition
    • Description

  • Fall 2012

    • MUS-021 Private Instrument Study: Composition
    • Description
    • MUS-022 Private Instrument Study: Composition
    • Description
    • MUS-121 Private Instrument/Vocal Study: Composition
    • Description
    • MUS-122 Private Instrument/Vocal Study: Composition
    • Description
    • MUS-334 Private Instrument/Vocal Study: Junior Recital, Composition
    • Description
    • MUS-434 Private Instrument/Vocal Study: Senior Recital, Composition
    • Description
    • MUS-791 Private Instrument/Vocal Study: Composition
    • Description
    • MUS-792 Private Instrument/Vocal Study: Composition
    • Description

Scholarly, Creative & Professional Activities

Selected Publications

  • Metrical Perception of Trisyllabic Speech Rhythms (under review).
  • Time Warps in Early Jazz. Music Theory Spectrum 31:1 (2009).
  • Gridless Beats. Perspectives of New Music 47:1 (2009).
  • How Hooker Found His Boogie. Popular Music 28:1 (2009); co-authored with Ted Gioia.
  • A Circular Plot for Rhythm Visualization and Analysis. Music Theory Online 13:3 (2007).
  • Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm. Ethnomusicology 50:1 (2006).
  • An Interview with Martin Matalon. Computer Music Journal 29:2 (2005).

Grants and Sponsored Research

  • National Endowment for the Humanities, Digital Startup Grant (2010)

Recordings

  • “Intuitivo.”  innova Recordings (2009).
  • "Five Miniatures." On innova Recordings CD by Thelema Trio (2009).
  • “Song 72.”  On Albany Records CD by Noah Getz (2007).

Honors, Awards, and Fellowships

  • John Simon Guggenheim Memorial Foundation Fellowship (2009)
  • Mannes Institute for Advanced Studies in Music Theory (2008, 2009)
  • Jaap Kunst Prize, Society for Ethnomusicology (2007)
  • Individual Artist Award, Maryland State Arts Council (2007)
  • League of Composers / ISCM composers competition (2005)
  • Aaron Copland Award, Copland House (2004)
  • Nicola DeLorenzo 1st Prize, UC-Berkeley (2004)
  • George Ladd Prix de Paris, UC-Berkeley (2001 - 03)
  • Fromm Commission, Tanglewood Music Center (2001)

Professional Presentations

  • Metrical Properties of Fusion Drum Solos. Society for Music Theory (2011, upcoming).
  • Crossmodal Analogues of Tempo Rubato. Society for Music Perception and Cognition (2011, upcoming).
  • Expressive Timing via Metric Hybrids. International Conference on Music Perception and Cognition (2010).
  • Speech Rhythms and Metric Frames. Society for Mathematics and Computation in Music (2009).
  • Speech Rhythms and the Theorist. Works in Progress Series, Yale University Music Department (2008).
  • Bend it Like Bubber: Miley's Time in Creole Love Call. Society for Music Theory (2007).
  • Towards a Theory of Tempo Modulation. International Conference on Music Perception and Cognition (2004).
  • Absolutes and Relatives in Jazz Microtiming (poster). Auditory Perception, Cognition, and Action Meeting (2004).

Residencies

  • The MacDowell Colony (2006).
  • Copland House (2004).
  • Voix Nouvelles, Fondation Royaumont (2002).
  • Wellesley Composers Conference (2002).
  • Tanglewood Music Center (2000).
  • Aspen Advanced Master Class in Composition (1999).

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