Hung Liu: Daughter of China, Resident Alien September 6-October 23, 2016
Timed to coincide with the quadrennial frenzy of the national presidential election, Liu’s exhibition reflects upon two themes—refugees and heroines—that, while politically topical, are also deeply woven into her experience as a Chinese émigré, as an American citizen, and as a woman. Liu’s painting style is rooted in Socialist Realism which she learned in China in the 1970s prior to coming to America in the mid-80s, where she has since created a stripped down Socialist Realism, removing the propaganda and creating a catalog of her history.
It Takes a Nation: Art for Social Justice with Emory Douglas, the Black Panther Party, AFRICOBRA, and Contemporary Washington Artists September 6-October 23, 2016
Curated by Sandy Bellamy
In the Alper Initiative space, Washington artists respond to the graphics of Black Panther artist Emory Douglas with sculpture, paintings, photography and multi-media installations. The exhibition features Emory Douglas and Howard University colleagues and members of the African Commune of Bad Relevant Artists (“AFRICOBRA”): Jeff Donaldson, Akili Ron Anderson, James Phillips, Jay Jarrell and Wadsworth Jarrell. Collectively, they create a powerful lens to the socio-political landscape of the late 1960s and 70s that helps to visualize the 1967 Black Panther Party 10-point platform addressing issues of freedom, employment, economic exploitation, affordable housing, education, war, police brutality, prison, due process, and access. The exhibition also includes artists examining these same issues 50 years later within a contemporary context, including: Holly Bass, Wesley Clark, Jay Coleman, Larry Cook, Tim Davis, Jamea Richmond Edwards, Shaunte Gates, Amber Robles Gordon, Njena Jarvis, Simmie Knox, Graham Patrick, Beverly Price, Christopher Ridler, Sheldon Scott, Stan Squirewell and Hank Willis Thomas.
Silos September 6-October 23, 2016
Curated by Jeffreen M. Hayes, Ph.D.
As a microcosm of our society, the art world maintains a system of marginalization based on racial and cultural difference. Artists identified as “other” function in silos, just as they do in society. This exhibition presents eight artists who examine these silos, otherness, and the cultural and social ramifications of marginalization based on one’s identity, whether self-defined or inscribed. Bearing witness, as these artists do, not only identifies the pressing issues of our time but also challenges the norm of marginalization, absence, and exclusion. Through the work of Wanda Ortiz, Duron Jackson, Yaw Aygeman, Wesley Clark, Wilmer Wilson IV, Stacy-Lynn Waddell, Ellington Robinson and Nathaniel Donnett, Silos gives voice to the silence(d).
Portal Screens: DC to Milwaukee's Amani Neighborhood
September 6 - October 23, 2016
A Channel at the museum’s entrance, a live bi-directional video wall, will act like an open window connecting two locations across the world: Northwest Washington, DC and >Milwaukee's Amani Neighborhood. Through the Channel, museum visitors will communicate with Moody Park, located in the Amani Community, which is grappling with issues of criminal justice. It has the highest rate of incarceration for African American males in the US.
Shared_Studios is a multidisciplinary art, design, and technology collective created by Amar Bakshi and focused on carving wormholes throughout the world. Since launch in 2014, their first global initiative, Portals, have connected more than 15,000 people in dialogue across more than two dozen sites, including President Barack Obama.
Washington, DC, sculptor (and former Senate aide) Suzanne Brennan Firstenberg manifests Americans’ frustration with our gridlocked partisan politics by taking an entire year of the official proceedings of the United States Congress, as documented in the Congressional Record, and folding each page into a paper airplane. From this mass of over 10,000 airplanes, striped red or blue to connote the political divide, the uppermost planes will rise into the air, as if taking flight, and as they do, their hues will combine to become purple - the color of hope that we may bridge the political divide.
Todas las Manos September 6-October 23, 2016
This exhibition is an interdisciplinary public art project that celebrates human rights and global justice, commemorating the 40th Anniversary of the deaths of former Chilean Ambassador Orlando Letelier and co-worker Ronni Karpen Moffitt in Washington, DC on September 21, 1976.
Muralist Francisco Letelier, son of Orlando Letelier, worked in collaboration with youth participants from the Latin American Youth Center (LAYC) to create a large-scale mural in the Museum’s sculpture garden. Todas Las Manos encompasses the participation of youth and adult collaborators in a month long exchange that includes academics, researchers, visual artists, and poets.