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Late Fall Exhibitions

Opening November 8 through December 14, 2014


The Intimate Diebenkorn:
Works on Paper, 1949–1992

The Intimate Diebenkorn: Works on Paper: 1949-1992 is the first show produced by the Diebenkorn Foundation. This extraordinary exhibition features 40 pieces, most of which have never been publicly viewed. The selected works of pencil and ink drawings on paper, collages of torn paper, and watercolors portray a richly intimate glimpse into the artist's evolution spanning more than 40 years.

 

Prague, The City of Eugenic Minds

The Eugenic Minds project, comprised of a documentary by Pavel Stingl, animations and paintings by Xenia Hoffmeisterová, and literary artwork by Patrik Ou?edník, offers timeless meditation upon the abuse of the human pinnacles of science and education. It also addresses the question of academic careerism, which under totalitarian regimes reaches self-destructive proportions. This exhibition is the first presentation abroad by the Shoah Memorial Prague.

 

Sculpture Now 2014:
WSG 30th Anniversary

The Washington Sculptors Group celebrates its 30th anniversary by bringing together a diverse collection of current sculptural art. The notion of sculpture has evolved dramatically in the last thirty years. In 1978, the art theorist Rosalind Krauss declared that sculpture as a discipline had collapsed because of the wide range of practices. More recently Johanna Burton remarked that the category of sculpture had not collapsed but was rather "a state of being." This exhibition endeavors to respond to Krauss and Burton's speculation with a selection of contemporary sculpture.

Pieces chosen for the show will highlight the vibrant state of sculpture today and display an array of materials including steel, wood, stone, plastic, drywall, fabric, and more. The show is curated by Jack Rasmussen, director and curator of the AU Museum.

Participating Artists: Greg Braun, Garrett Strang, c.l.Bigelow, Lynda Smith-Bugge, Janet Wheeler, Mike Shaffer, Dalya Luttwak, Elizabeth Burger, Mila Kagan, Jin Lee, Julie Zirlin, Mary Early, Joel D'Orazio, Elizabeth Miller McCue, Julia Bloom, Foon Sham, and Carol Brown Goldberg

 

My Oyster #7:
Michelle Grabner & Brad Killam

The My Oyster projects are a collaboration between Michelle Grabner and Brad Killam, a husband and wife pair working together since 1992. For their My Oyster series, Grabner and Killam employ a large hanging support system to display a selection of their works. The project includes other artifacts that demonstrate their familial relationship to a life of art, including sculptures, working drawings, and related support material. The show was organized by AU art professor Tim Doud.

 

Ad Infinitum

Curated by Lauren Rice and Brian Barr, Ad Infinitum brings together the work of Clifford Borress, Ian Pedigo, and Letha Wilson, all asked to create new, site-specific works for this exhibition. Each artist will explore the relationship between form and context to investigate the possibilities of meaning embedded within aesthetic experience. They explore the space between discursive research-based practice and formal or heuristic approaches to installation, exhibition, and display of ideas.

 

Lay of the Land:
Alan Sonfist & Karin F. Gusti

This joint exhibition includes the work of Alan Sonfist (Surface Memory) and Karin F. Giusti (Three Seasons at Black Forest Farm).

Alan Sonfist created Surface Memory in 1967-1971 to elucidate his childhood memories of the destroyed forest of his youth. Surface Memory pays homage to Sonfist's earlier masterpiece Time Landscape, 1956.

Karin Giusti's Three Seasons at Black Forest Farm is a monumental installation utilizing sculpture and photography to meld both environment and time into a singular experience. Void of figures, except the artist's shadow, these photographs appear as kaleidoscopic membranes that embed love and loss into the context of an environmental, photographic experience.

 
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Richard Diebenkorn, Untitled (Spade)

Richard Diebenkorn, Untitled (Spade), c. 1981.

 

Richard Diebenkorn, Untitled

Richard Diebenkorn, Untitled, c. 1958-66.