Kalup Linzy Thursday, September 17, 6:30 p.m. Phillips Collection | 1600 21st St NW
Exploring Social Practice Exhibition Opening Reception Thursday, September 24 Katzen Arts Center, Rotunda
Exhibition opening 6-8 p.m., remarks by Lori Lobenstine, co-founder of DS4SI, at 7 p.m.
Tobias Sternberg: Temporary Art Repairshop Saturday, October 3, 6-9 p.m. Transformer | 1404 P Street, NW
Tobias Sternberg: Practice as Product Wednesday, October 7 Goethe-Institute Washington | 812 Seventh Street, NW
What is Social Practice? Tuesday, October 13, 6:30 – 8:00 p.m. Katzen Arts Center
A Conversation with Kenny Bailey, co-founder, Design Studio for SocialIntervention, and Patrick McDonough, artist and adjunct professor, American University.
Obento Boxing: Personal Tactics for Social Practice Thursday, October 15 Afternoon Master Class: 2:30–4:00 p.m.; Evening Master Class: 7:00–8:30 p.m. Location: Studio Room 246; 2nd Floor AU Katzen Arts Center Rotunda
Organize what’s in your head, obento box style! Everything we do requires us to set up our own tools and systems for thinking and creating. Take the time to step out of your personal, artistic, social or daily practice to see, sort and share your tools and ingredients through these two Obento Boxing Master Classes led by Ayako Maruyama, Creativity Lab Design Lead, Design Studio for Social Intervention. Participants interested in a hands-on lab that takes light and delicious inspiration from Japanese washoku principles are welcome to join in a reflective exercise unlike any other. Feel free to bring a tool you use in your practice, however that prompt speaks to you.
Linda Montano Thursday, October 15, 6:30 p.m. Phillips Collection | 1600 21st St NW
Kinetic: Conversations in Contemporary Art Series with Titus Kaphar Friday, November 6, 6:00-8:30 p.m. AU Museum
A dynamic lecture series sparking critical dialogue about contemporary art and creative professional practices. Generously sponsored by Dr. Darryl Atwell. Free and open to the public.
Titus Kaphar’s 'The Vesper Project' is a massive sculptural statement—an encompassing installation, in which Kaphar’s own work is seamlessly woven into the walls of a 19th century American house. The culmination of an intense five year engagement with the lost storylines of the Vesper family, the project was “birthed in a state of extended disbelief,” according to Kaphar. As the artist’s muses, the members of the Vesper family and their histories are intertwined with Kaphar’s autobiographical details, and layered with widebased cultural triggers of identity and truth in the context of historical accounting. In 'The Vesper Project', period architecture, gilt frames, a vintage typewriter, a neglected wardrobe,and old photographs act as seemingly recognizable elements, but by employing every tool of his trade, Kaphar insinuates doubt and transports the viewer into a disrupted mental state. As the house fractures,so does the viewer’s experience. In so doing, Kaphar compresses times, conflates the continuum of history and postulates new powerful realities.With many of Kaphar's interventions present in the installation including slashing, silhouetting, and whitewashing, this singular work is a complex map of overlapping timetables and collective genealogies. By obliterating the distance between the viewer and the work, 'The Vesper Project' is comprehensive,experiential, and it is the artist’s most ambitious expression to date.
Anish Kapoor Tuesday, November 10 Hirshhorn Museum and Sculpture Garden | 700 Independence Ave SW