http://www.american.edu/calendar en-us Do you know your numbers? Find out your cholesterol levels, glucose levels, blood pressure, BMI, and body composition at free health screenings and health fair for AU Faculty and Staff. Knowing your numbers is important information to have when discussing your health with your doctor. You can also use your numbers to fill out your health risk assessment questionnaire. https://www.american.edu/calendar/?id=4577416 Mon, April 01, 2013 12:02:49 This is a live, one hour adaptation performance of Taming of the Shrew and it will also be broadcast live on WAMU 88.5/American University Radio. https://www.american.edu/calendar/?id=4568206 Fri, May 17, 2013 16:33:58 Yoga in the Galleries Outdoor Session June 12, 10 a.m. American University Museum Admission is free Dust off those yoga poses because it's time for our first summer session! Led by Shannon Ramirez, this ashtanga vinyasa yoga class is a great opportunity to beat the heat and feel great. Please bring a mat. https://www.american.edu/calendar/?id=4601853 Fri, May 17, 2013 16:40:18 June 14, 5 ? 7 p.m. Members Only Preview American University Museum Members-only event Come preview the summer exhibitions before they open to the public with a special tour led by curator/director, Jack Rasmussen. Drinks and summer snacks included. Not yet a member? Join now: www.american.edu/cas/museum/membership/ https://www.american.edu/calendar/?id=4602120 Fri, May 17, 2013 16:35:00 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601916 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602014 Fri, May 17, 2013 16:35:25 Gallery Talk: Accumulation and Dispersal with artist Chester Arnold June 15, 5 p.m. American University Museum Admission is free Join Chester Arnold in a gallery talk about his exhibition Chester Arnold: Accumulation and Dispersal, on display through August 11. https://www.american.edu/calendar/?id=4602122 Fri, May 17, 2013 16:37:04 2013 Summer Artists' Reception June 15, 6 ? 9 p.m. American University Museum Admission is free Join artists and curators for the 2013 summer Artists' Reception from 6-9 p.m. Light refreshments will be served. The night will include a gallery talk by Chester Arnold at 5 p.m. https://www.american.edu/calendar/?id=4602154 Fri, May 17, 2013 16:38:51 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601917 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602015 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601918 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602016 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601919 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602017 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601920 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602018 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601921 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602019 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601922 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602020 Fri, May 17, 2013 16:35:25 Washington Art Matters: The 1940s?1960s June 22, 3 p.m. American University Museum Admission is free Featuring three artists?Paul Reed, the last of the original (1965 exhibition) "Washington Color Painters;" Lila Oliver Asher, longtime (1948-1991) Howard University professor; and Ed McGowin, sculptor whose career spans from the 1960s D.C. to New York now?the panel is moderated by Jean Lawlor Cohen, arts writer, editor of Where? Magazine, and one of Washington Art Matters, Art Life in the Capital: 1940-1990 authors. In support of the exhibition Washington Art Matters 1940s?1980s, the American University Museum presents a series of panels that provide first-hand accounts of those five creative decades. Each panel will cover art trends, historical events and anecdotes of the times. Artist guests and others in the audience will be encouraged to offer memories. The panel moderators are co-authors of the newly-released 'Washington Art Matters, Art Life in the Capital, 1940?1990', a book produced by the Washington Arts Museum and celebrated by this exhibition. Session One: The 1940s?1960s, June 22, 3 p.m. Session Two: The 1970s, July 13, 4 p.m. Session Three: The 1980s, July 20, 3 p.m. https://www.american.edu/calendar/?id=4602157 Fri, May 17, 2013 16:34:28 Gallery Talk: Beneath the Surface with artist Kitty Klaidman June 22, 5 p.m. American University Museum Admission is free Join Kitty Klaidman in a gallery talk about her exhibition Kitty Klaidman: Beneath the Surface, on display through August 11. https://www.american.edu/calendar/?id=4602125 Fri, May 17, 2013 16:36:45 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601923 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602021 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601924 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602022 Fri, May 17, 2013 16:35:25 Yoga in the Galleries June 26, 10 a.m. American University Museum Admission is free Dust off those yoga poses because it's time for our first summer session! Led by Shannon Ramirez, this ashtanga vinyasa yoga class is a great opportunity to beat the heat and feel great. Please bring a mat. https://www.american.edu/calendar/?id=4601855 Fri, May 17, 2013 16:40:33 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601925 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602023 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601926 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602024 Fri, May 17, 2013 16:35:25 On Collecting Fine Art: Collecting Works on Paper: Prints and Drawings June 27, 7 p.m. Studio Theatre Admission is free Session one of four On Collecting Fine Art is a series of panel discussions designed to encourage collecting fine art with advice from established Washington area gallery owners who will share their knowledge and expertise. Topics covered in the various panels will include how to get started, how to educate your eye, how to develop a collection, how to understand descriptions of various processes and techniques, and how to maintain best practices for archival preservation of an art collection. On Collecting Fine Art is sponsored by the Art Dealers Association of Greater Washington and the American University Museum at the Katzen Arts Center coinciding with the exhibition Washington Art Matters: 1940s-1980s, June 15-August 11, 2013. Session One: Collecting Works on Paper: Prints and Drawings, June 27, 7 p.m. Session Two: Collecting Photographs: Vintage and Contemporary Photographs, July 18, 7 p.m. Session Three: Collecting Sculpture, Glass, and 3-dimensional Art, July 25, 7 p.m. Session Four: Collecting Contemporary Paintings: Washington Area Artists and National Artists, August 8, 7 p.m. https://www.american.edu/calendar/?id=4601859 Fri, May 17, 2013 16:37:39 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601927 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602025 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601928 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602026 Fri, May 17, 2013 16:35:25 Gallery Talk: Opposite and Alternate with artist Nan Montgomery June 29, 4 p.m. American University Museum Admission is free Join Nan Montgomery in a gallery talk about her exhibition Nan Montgomery: Opposite and Alternate, on display through August 11. https://www.american.edu/calendar/?id=4602146 Fri, May 17, 2013 16:37:23 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601929 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602027 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601930 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602028 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601931 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602029 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601932 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602030 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601933 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602031 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601934 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602032 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601935 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602033 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601936 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602034 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601937 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602035 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601938 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602036 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601939 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602037 Fri, May 17, 2013 16:35:25 Washington Art Matters: The 1970s July 13, 4 p.m. American University Museum Admission is free Featuring Lenore D. Miller, director, University Galleries and chief curator, The George Washington University since the 1970s; Benjamin Forgey, former art and architecture critic for The Washington Post and Washington Star; and Joan Danziger, Washington sculptor and former president of the Washington Sculptors Group, the panel is moderated by Elizabeth Tebow, professor of Art History at Northern Virginia Community College and one of the Washington Art Matters, Art Life in the Capital: 1940-1990 's authors. In support of the exhibition Washington Art Matters 1940s?1980s, the American University Museum presents a series of panels that provide first-hand accounts of those five creative decades. Each panel will cover art trends, historical events and anecdotes of the times. Artist guests and others in the audience will be encouraged to offer memories. The panel moderators are co-authors of the newly-released Washington Art Matters, Art Life in the Capital, 1940?1990, a book produced by the Washington Arts Museum and celebrated by this exhibition. Session One: The 1940s?1960s, June 22, 3 p.m. Session Two: The 1970s, July 13, 4 p.m. Session Three: The 1980s, July 20, 3 p.m. https://www.american.edu/calendar/?id=4602169 Fri, May 17, 2013 16:38:12 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601940 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602038 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601941 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602039 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601942 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602040 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601943 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602041 Fri, May 17, 2013 16:35:25 On Collecting Fine Art: Collecting Photographs: Vintage and Contemporary Photographs July 18, 7 p.m. Abramson Family Recital Hall Admission is free Session two of four On Collecting Fine Art is a series of panel discussions designed to encourage collecting fine art with advice from established Washington area gallery owners who will share their knowledge and expertise. Topics covered in the various panels will include how to get started, how to educate your eye, how to develop a collection, how to understand descriptions of various processes and techniques, and how to maintain best practices for archival preservation of an art collection. On Collecting Fine Art is sponsored by the Art Dealers Association of Greater Washington and the American University Museum at the Katzen Arts Center coinciding with the exhibition Washington Art Matters: 1940s-1980s, June 15-August 11, 2013. Session One: Collecting Works on Paper: Prints and Drawings, June 27, 7 p.m. Session Two: Collecting Photographs: Vintage and Contemporary Photographs, July 18, 7 p.m. Session Three: Collecting Sculpture, Glass, and 3-dimensional Art, July 25, 7 p.m. Session Four: Collecting Contemporary Paintings: Washington Area Artists and National Artists, August 8, 7 p.m. https://www.american.edu/calendar/?id=4601860 Fri, May 17, 2013 16:40:02 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601944 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602042 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601945 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602043 Fri, May 17, 2013 16:35:25 Washington Art Matters: The 1980s Saturday, July 20, 3 p.m. American University Museum Admission is free Art Attack project artist Alberto Gaitán; curator-advocate Jim Mahoney; and on-the-scene writer Lee Fleming discuss the aesthetic and political issues of the 1980s. The panel is moderated by Sidney Lawrence, an emerging artist at the time and the Hirshhorn's PR person until 2003, who is one of the Washington Art Matters, Art Life in the Capital: 1940-1990's authors. In support of the exhibition Washington Art Matters 1940s?1980s, the American University Museum presents a series of panels that provide first-hand accounts of those five creative decades. Each panel will cover art trends, historical events and anecdotes of the times. Artist guests and others in the audience will be encouraged to offer memories. The panel moderators are co-authors of the newly-released Washington Art Matters, Art Life in the Capital, 1940?1990, a book produced by the Washington Arts Museum and celebrated by this exhibition. Session One: The 1940s?1960s, June 22, 3 p.m. Session Two: The 1970s, July 13, 4 p.m. Session Three: The 1980s, July 20, 3 p.m. https://www.american.edu/calendar/?id=4602172 Fri, May 17, 2013 16:37:55 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601946 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602044 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601947 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602045 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601948 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602046 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601949 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602047 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601950 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602048 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601951 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602049 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601952 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602050 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601953 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602051 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601954 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602052 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601955 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602053 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601956 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602054 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601957 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602055 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601958 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602056 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601959 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602057 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601960 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602058 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601961 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602059 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601962 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602060 Fri, May 17, 2013 16:35:25 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601963 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602061 Fri, May 17, 2013 16:35:25 Gallery Talk: Sleep Walker with artist Tim Tate August 10, 4 p.m. American University Museum Admission is free Join Tim Tate in a gallery talk about his exhibition Time Tate: Sleep Walker, on display through August 18. https://www.american.edu/calendar/?id=4602147 Fri, May 17, 2013 16:36:21 Summer 2013 Exhibition Closing Party August 10, 5 ? 7 p.m. American University Museum Admission is free Join the AU Museum for a reception to celebrate the close of the 2013 summer exhibitions. https://www.american.edu/calendar/?id=4602155 Fri, May 17, 2013 16:38:33 Chester Arnold: Accumulation and Dispersal As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way while juxtaposing the complexity, ingenuity, and wastefulness of modern civilization. Chester Arnold, Accumulation (detail), 1998. Oil on linen. 66 x 80 in. https://www.american.edu/calendar/?id=4601964 Fri, May 17, 2013 16:35:48 Washington Art Matters 1940s?1980s This exhibition tells the history of Washington art from the 1940s through the 1980s. Some 80 artists were selected to represent what was best of Washington art over five decades. This documentation is based upon the book 'Washington Art Matters, Art Life in the Capital: 1940-1990', written by Jean Lawler Cohen, Elizabeth Tebow, Sidney Lawrence, and Benjamin Forgey. Robert Newmann, For Pierre L'Enfant, 1978. sandblasted image of DC map at 1328 NY Ave NW at 73 x 94 ft. https://www.american.edu/calendar/?id=4602062 Fri, May 17, 2013 16:35:25 FSE Event https://www.american.edu/calendar/?id=4547613 Mon, April 08, 2013 15:44:19 Fall orientation to welcome new students to the Social Enterprise Masters Program https://www.american.edu/calendar/?id=4585079 Fri, April 19, 2013 17:19:23 Come meet representatives from local nonprofit organizations and school to learn about service opportunities and potential partners for community-based learning projects. https://www.american.edu/calendar/?id=4579142 Thu, April 11, 2013 13:12:33 Come meet with representatives from local nonprofit organizations and schools. Learn of community service opportunities with their agencies and opportunities for collaboration on community-based learning projects. https://www.american.edu/calendar/?id=4595926 Tue, May 07, 2013 10:14:19 Distinguished guest lecture series, hosted by the American University Center for Asian Studies. https://www.american.edu/calendar/?id=4578227 Thu, April 11, 2013 13:18:10 A series of presentations highlighting College of Arts and Sciences faculty research. Lunch will be served. https://www.american.edu/calendar/?id=4585469 Fri, April 19, 2013 17:17:29 American University Key Executive Leadership Programs in Washington, DC is pleased to announce the 2013 GCC Annual Roundtable on e-Government Initiatives: Leading Strategic Change and Transition. The Roundtable is designed to increase the capacity of GCC senior executives to deliver the intended impacts of e-government?better service provision, improved efficiency and greater engagement with citizens?and avoid the common failures. Accepting the notion that there is no single correct approach to e-government, the pan-Arab discourse generated from the Roundtable discussion will be vital for all GCC senior executives who have a major role in ensuring that the barriers of e-government are overcome and successful customization and implementation of e-government services in their respective countries is achieved. https://www.american.edu/calendar/?id=4580543 Fri, April 05, 2013 14:33:48 American University Key Executive Leadership Programs in Washington, DC is pleased to announce the 2013 GCC Annual Roundtable on e-Government Initiatives: Leading Strategic Change and Transition. The Roundtable is designed to increase the capacity of GCC senior executives to deliver the intended impacts of e-government?better service provision, improved efficiency and greater engagement with citizens?and avoid the common failures. Accepting the notion that there is no single correct approach to e-government, the pan-Arab discourse generated from the Roundtable discussion will be vital for all GCC senior executives who have a major role in ensuring that the barriers of e-government are overcome and successful customization and implementation of e-government services in their respective countries is achieved. https://www.american.edu/calendar/?id=4580544 Fri, April 05, 2013 14:33:48 Distinguished guest lecture series, hosted by the American University Center for Asian Studies. https://www.american.edu/calendar/?id=4578228 Thu, April 11, 2013 13:18:10 American University (AU) Key Executive Leadership Programs in Washington, DC is pleased to announce the 2013 GCC Annual Roundtable on e-Government Initiatives: Leading Strategic Change and Transition. The Roundtable is designed to increase the capacity of GCC senior executives to deliver the intended impacts of e-government?better service provision, improved efficiency and greater engagement with citizens?and avoid the common failures. Accepting the notion that there is no single correct approach to e-government, the pan-Arab discourse generated from the Roundtable discussion will be vital for all GCC senior executives who have a major role in ensuring that the barriers of e-government are overcome and successful customization and implementation of e-government services in their respective countries is achieved. https://www.american.edu/calendar/?id=4580583 Fri, April 05, 2013 14:38:35 American University (AU) Key Executive Leadership Programs in Washington, DC is pleased to announce the 2013 GCC Annual Roundtable on e-Government Initiatives: Leading Strategic Change and Transition. The Roundtable is designed to increase the capacity of GCC senior executives to deliver the intended impacts of e-government?better service provision, improved efficiency and greater engagement with citizens?and avoid the common failures. Accepting the notion that there is no single correct approach to e-government, the pan-Arab discourse generated from the Roundtable discussion will be vital for all GCC senior executives who have a major role in ensuring that the barriers of e-government are overcome and successful customization and implementation of e-government services in their respective countries is achieved. https://www.american.edu/calendar/?id=4580584 Fri, April 05, 2013 14:38:35 PAC at 10: A Decade of Resistance. Join us at American University as the Public Anthropology Conference celebrates its 10th year of organizing and resisting with academics, activists and communities. https://www.american.edu/calendar/?id=4568948 Fri, March 22, 2013 16:48:07 PAC at 10: A Decade of Resistance. Join us at American University as the Public Anthropology Conference celebrates its 10th year of organizing and resisting with academics, activists and communities https://www.american.edu/calendar/?id=4569175 Fri, March 22, 2013 16:42:03 PAC at 10: A Decade of Resistance. Join us at American University as the Public Anthropology Conference celebrates its 10th year of organizing and resisting with academics, activists and communities. https://www.american.edu/calendar/?id=4569241 Fri, March 22, 2013 16:41:42 Join us at American University as the Public Anthropology Conference celebrates its 10th year of organizing and resisting with academics, activists and communities. https://www.american.edu/calendar/?id=4569270 Fri, March 22, 2013 16:41:25 Fall for the Arts https://www.american.edu/calendar/?id=4584434 Fri, May 17, 2013 16:43:37 PAC at 10: A Decade of Resistance. Join us at American University as the Public Anthropology Conference celebrates its 10th year of organizing and resisting with academics, activists and communities https://www.american.edu/calendar/?id=4569176 Fri, March 22, 2013 16:42:03 PAC at 10: A Decade of Resistance. Join us at American University as the Public Anthropology Conference celebrates its 10th year of organizing and resisting with academics, activists and communities. https://www.american.edu/calendar/?id=4569242 Fri, March 22, 2013 16:41:42 PAC at 10: A Decade of Resistance. Join us at American University as the Public Anthropology Conference celebrates its 10th year of organizing and resisting with academics, activists and communities. https://www.american.edu/calendar/?id=4568949 Fri, March 22, 2013 16:48:07 Join us at American University as the Public Anthropology Conference celebrates its 10th year of organizing and resisting with academics, activists and communities. https://www.american.edu/calendar/?id=4569271 Fri, March 22, 2013 16:41:25 American University Key Executive Leadership Programs in Washington, DC is pleased to announce the 2013 GCC Annual Roundtable on e-Government Initiatives: Leading Strategic Change and Transition. The Roundtable is designed to increase the capacity of GCC senior executives to deliver the intended impacts of e-government?better service provision, improved efficiency and greater engagement with citizens?and avoid the common failures. Accepting the notion that there is no single correct approach to e-government, the pan-Arab discourse generated from the Roundtable discussion will be vital for all GCC senior executives who have a major role in ensuring that the barriers of e-government are overcome and successful customization and implementation of e-government services in their respective countries is achieved. https://www.american.edu/calendar/?id=4580545 Fri, April 05, 2013 14:33:48 American University Key Executive Leadership Programs in Washington, DC is pleased to announce the 2013 GCC Annual Roundtable on e-Government Initiatives: Leading Strategic Change and Transition. The Roundtable is designed to increase the capacity of GCC senior executives to deliver the intended impacts of e-government?better service provision, improved efficiency and greater engagement with citizens?and avoid the common failures. Accepting the notion that there is no single correct approach to e-government, the pan-Arab discourse generated from the Roundtable discussion will be vital for all GCC senior executives who have a major role in ensuring that the barriers of e-government are overcome and successful customization and implementation of e-government services in their respective countries is achieved. https://www.american.edu/calendar/?id=4580546 Fri, April 05, 2013 14:33:48 American University (AU) Key Executive Leadership Programs in Washington, DC is pleased to announce the 2013 GCC Annual Roundtable on e-Government Initiatives: Leading Strategic Change and Transition. The Roundtable is designed to increase the capacity of GCC senior executives to deliver the intended impacts of e-government?better service provision, improved efficiency and greater engagement with citizens?and avoid the common failures. Accepting the notion that there is no single correct approach to e-government, the pan-Arab discourse generated from the Roundtable discussion will be vital for all GCC senior executives who have a major role in ensuring that the barriers of e-government are overcome and successful customization and implementation of e-government services in their respective countries is achieved. https://www.american.edu/calendar/?id=4580585 Fri, April 05, 2013 14:38:35 American University Key Executive Leadership Programs in Washington, DC is pleased to announce the 2013 GCC Annual Roundtable on e-Government Initiatives: Leading Strategic Change and Transition. The Roundtable is designed to increase the capacity of GCC senior executives to deliver the intended impacts of e-government?better service provision, improved efficiency and greater engagement with citizens?and avoid the common failures. Accepting the notion that there is no single correct approach to e-government, the pan-Arab discourse generated from the Roundtable discussion will be vital for all GCC senior executives who have a major role in ensuring that the barriers of e-government are overcome and successful customization and implementation of e-government services in their respective countries is achieved. https://www.american.edu/calendar/?id=4580547 Fri, April 05, 2013 14:33:48 A series of presentations highlighting College of Arts and Sciences faculty research. Lunch will be served. https://www.american.edu/calendar/?id=4585470 Fri, April 19, 2013 17:17:29 Gathering of subject matter experts and university students and faculty to discuss new trends in big data analysis and its use in evaluating behavior. https://www.american.edu/calendar/?id=4594646 Fri, May 17, 2013 16:41:40 Distinguished guest lecture series, hosted by the American University Center for Asian Studies. https://www.american.edu/calendar/?id=4578229 Thu, April 11, 2013 13:18:10 Distinguished guest lecture series, hosted by the American University Center for Asian Studies. https://www.american.edu/calendar/?id=4578230 Thu, April 11, 2013 13:18:10 Come see student and faculty community-based learning and research. Participate in the opening lunch and plenary, panel presentations and closing dessert reception. https://www.american.edu/calendar/?id=4597881 Fri, May 17, 2013 16:41:19 Come see student and faculty community-based learning and research. Participate in the opening lunch and plenary, panel presentations and closing dessert reception. https://www.american.edu/calendar/?id=4597883 Fri, May 17, 2013 16:41:19 Come see student and faculty community-based learning and research. Participate in the opening lunch and plenary, panel presentations and closing dessert reception. https://www.american.edu/calendar/?id=4597882 Fri, May 17, 2013 16:41:19 Come see student and faculty community-based learning and research. Participate in the opening lunch and plenary, panel presentations and closing dessert reception. https://www.american.edu/calendar/?id=4597878 Fri, May 17, 2013 16:41:19 A series of presentations highlighting College of Arts and Sciences faculty research. Lunch will be served. https://www.american.edu/calendar/?id=4585471 Fri, April 19, 2013 17:17:29 The 21st annual Lavender Languages Conference explores lgbtq themes in spoken language, vocabulary, literature, religion, music, cinema, visual arts, embodiment, visibility politics, and related domains. For complete information, please see the Web site. https://www.american.edu/calendar/?id=4557428 Tue, March 12, 2013 16:35:14 A series of presentations highlighting College of Arts and Sciences faculty research. Lunch will be served. https://www.american.edu/calendar/?id=4585472 Fri, April 19, 2013 17:17:29 Located in the nation's capital, the Annual IMI Conference on Intercultural Relations is an accessible, affordable, professional development opportunity for those in the field of intercultural relations, cross-cultural & diversity training and education. Since the Annual Conference launch in 2000, IMI has worked to bring together a niche audience of intercultural relations professionals from various sectors to share their knowledge and best practices with colleagues and like-minded individuals in the field. Combined with our focus on experiential learning, participants leave with a toolkit of resources to bring back and apply to their own work. The IMI conference combines a focus on dialogue and learning with networking opportunities in an open, community atmosphere. Invest in yourself, attend the conference and experience the IMI advantage! https://www.american.edu/calendar/?id=4570572 Fri, March 22, 2013 16:47:38 Located in the nation's capital, the Annual IMI Conference on Intercultural Relations is an accessible, affordable, professional development opportunity for those in the field of intercultural relations, cross-cultural & diversity training and education. Since the Annual Conference launch in 2000, IMI has worked to bring together a niche audience of intercultural relations professionals from various sectors to share their knowledge and best practices with colleagues and like-minded individuals in the field. Combined with our focus on experiential learning, participants leave with a toolkit of resources to bring back and apply to their own work. The IMI conference combines a focus on dialogue and learning with networking opportunities in an open, community atmosphere. Invest in yourself, attend the conference and experience the IMI advantage! https://www.american.edu/calendar/?id=4570858 Fri, March 22, 2013 16:45:54 Located in the nation's capital, the Annual IMI Conference on Intercultural Relations is an accessible, affordable, professional development opportunity for those in the field of intercultural relations, cross-cultural & diversity training and education. Since the Annual Conference launch in 2000, IMI has worked to bring together a niche audience of intercultural relations professionals from various sectors to share their knowledge and best practices with colleagues and like-minded individuals in the field. Combined with our focus on experiential learning, participants leave with a toolkit of resources to bring back and apply to their own work. The IMI conference combines a focus on dialogue and learning with networking opportunities in an open, community atmosphere. Invest in yourself, attend the conference and experience the IMI advantage! https://www.american.edu/calendar/?id=4570573 Fri, March 22, 2013 16:47:38 Located in the nation's capital, the Annual IMI Conference on Intercultural Relations is an accessible, affordable, professional development opportunity for those in the field of intercultural relations, cross-cultural & diversity training and education. Since the Annual Conference launch in 2000, IMI has worked to bring together a niche audience of intercultural relations professionals from various sectors to share their knowledge and best practices with colleagues and like-minded individuals in the field. Combined with our focus on experiential learning, participants leave with a toolkit of resources to bring back and apply to their own work. The IMI conference combines a focus on dialogue and learning with networking opportunities in an open, community atmosphere. Invest in yourself, attend the conference and experience the IMI advantage! https://www.american.edu/calendar/?id=4570859 Fri, March 22, 2013 16:45:54 UC Spring Lab Research Projects https://www.american.edu/calendar/?id=4557751 Tue, March 12, 2013 16:32:44 UC Spring Lab Research Projects https://www.american.edu/calendar/?id=4557759 Tue, March 12, 2013 16:32:44 Celebrate and support outstanding Capstone projects created by graduating Honors students. https://www.american.edu/calendar/?id=4569775 Fri, March 22, 2013 16:41:04 Cold War Symposium Reception https://www.american.edu/calendar/?id=4582688 Thu, April 11, 2013 13:11:00 Baccalaureate Service for the Class or 2014 sponsored by the Office of the United Methodist Chaplain https://www.american.edu/calendar/?id=4572038 Thu, April 11, 2013 13:09:22