PhD, Comparative Literature, University of California at Berkeley MA, Comparative Literature, University of California at Berkeley BA, English and American Literature/ Linguistics, University of Athens, Greece
Modern Greek, Ancient Greek, Latin, French
Professor Kakoudaki teaches interdisciplinary courses in literature and film, visual culture, and the history of technology and new media. Her interests include cultural studies, science fiction, apocalyptic narratives, and the representation of race and gender in literature and film.
She completed her doctorate in Comparative Literature at the University of California at Berkeley, and taught at Berkeley and at Harvard University before joining AU. She has published articles on robots and cyborgs, race and melodrama in action and disaster films, body transformation and technology in early film, the political role of the pin-up in World War II, and the representation of the archive in postmodern fiction. She has also co-edited a collection of essays on the work of Pedro Almodovar with Brad Epps (University of Minnesota Press, 2009).
Professor Kakoudaki's new book, titled Anatomy of a Robot: Literature, Cinema, and the Cultural Work of Artificial People, was published by Rutgers University Press in 2014. She received a fellowship from the National Endowment for this project, which traces the history and cultural function of constructed people and animated objects in literature and film.
In 2014 Professor Kakoudaki was appointed Director of the Humanities Lab, a new research initiative at American University. Working across departments and schools, the Humanities Lab aims to support and showcase interdisciplinary research and support scholarly collaboration at AU and beyond.
"Melodrama and Apocalypse: The Melodramatic Mode in Contagion." Society for CInema and Media Studies, Chicago, 2017.
“Artificial People in The Twilight Zone, 1959-1964.” Society for Cinema and Media Studies, Atlanta, March 2016.
“Cinematic Melodrama in the 1960s and 70s.” American Comparative Literature Association. Presenter for Seminar: “Comparative Melodrama” organized by Matthew Buckley, Rutgers University. ACLA Boston, March 2016.
“Technology on Stage: Karel Čapek’s R. U. R., Eugene O’Neill’s Dynamo, and the Question of Technology in the 1920s.” Science Fiction Research Association, Stony Brook, June 2015.
“Family Melodrama in the 21st Century.” Society for Cinema and Media Studies, Chicago, March 2013.“Language, Race, and Impersonality.” Modern Language Association, MLA Special Session on “Barbara Johnson’s Last Works.” Boston, January 2013.
“Fresh New World: Fantasies of Earth and the Aesthetics of Closure in Battlestar Galactica.”Science Fiction Research Association, SFRA Annual Conference, Detroit, June 2012.
“War and Meaning: Resisting Closure in The Hurt Locker.” Society for Cinema and Media Studies, Boston, March 2012.
Recent invited lectures:
"Robots in Popular Culture," Author Lecture for Escape Velocity Convention, Museum Of Science Fiction, Washington DC. September 2017. Visit: escapevelocity.events/
Featured speaker for "Cyborg Futures: Animal Life and Social Robots Workshop," Saint Mary's University, Nova Scotia. April 2017.
“Robots and Slaves: History, Allegory and the Structural Logic of the Robot Story.” Center for Cultural Studies, University of California at Santa Cruz, May 2014.
“Melodrama and Apocalypse: Genre, Politics and The End of the World.” Invited talk for “Screen Melodrama: Global Perspectives,” Columbia University and New York University, February 2013.
“At Home and at War: The American Pinup in the 1930s and 40s.” Winthrop University Galleries Exhibition, “Between the Springmaid Sheets.” Winthrop University, Rock Hill, SC. October 8, 2012.
Anatomy of a Robot: Literature, Cinema, and the Cultural Work of Artificial People. New Brunswick: Rutgers University Press, 2014.
A historical and theoretical approach to the discourse of the artificial person from antiquity to the 20th century. Single-authored book-length manuscript, in print.
All About Almodóvar: A Passion for Cinema. Minneapolis: University of Minnesota Press, 2009.
Co-edited with Professor Bradley S. Epps, Harvard University. A new collection of critical essays on Pedro Almodóvar by international group of scholars. Includes substantial co-authored “Introduction” and single-authored chapter. Edited Book, in print.