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COMMUNICATION

COMM-438 Production Practicum Course Level: Undergraduate

Production Practicum (1-3) (FM) Topics vary by section. Provides students with skills training in a variety of media production areas. Topics include non-linear editing, digital post production, location sound production, studio sound production and mixing, location lighting techniques, cinematography, digital authoring, and coding. Repeatable for credit with different topic. Restriction: minimum 2.5 GPA.

COMM-438-001
Term: Fall 2018 Regular Term
Course Level: Undergraduate
Section Title: Final Cut Pro
Final Cut Pro (1) An introductory workshop in the non-linear editing system Final Cut Pro, designed to meet the needs of students registered for their first production course Film and Video Production I. Section corequisite: COMM-331 005.
COMM-438-002
Term: Fall 2018 Regular Term
Course Level: Undergraduate
Section Title: Final Cut Pro
Final Cut Pro (1) An introductory workshop in the non-linear editing system Final Cut Pro, designed to meet the needs of students registered for their first production course Film and Video Production I. Section corequisite: COMM-331 004.
COMM-438-001
Term: Spring 2018 Regular Term
Course Level: Undergraduate
Section Title: Final Cut Pro
Final Cut Pro (1) An introductory workshop in the non-linear editing system Final Cut Pro, designed to meet the needs of students registered for their first production course Film and Video Production I. Section corequisite: COMM-331 001.
COMM-438-002
Term: Spring 2018 Regular Term
Course Level: Undergraduate
Section Title: Final Cut Pro
Final Cut Pro (1) An introductory workshop in the non-linear editing system Final Cut Pro, designed to meet the needs of students registered for their first production course Film and Video Production I. Section corequisite: COMM-331 002.
COMM-438-003
Term: Spring 2018 Regular Term
Course Level: Undergraduate
Section Title: Creative Sound Techniques
Creative Sound Techniques (3) This course is designed specifically for those who create either narrative or documentary projects that utilize substantial location recording elements. The course focuses on developing the golden ear by evaluating locations and the basics of sound design. The focus then shifts to the fundamentals of the sound editorial process and options available in the mixing process. Prerequisite: COMM-331 or ATEC-101. Permission: school. Meets with COMM-638 003.