Contact Us
Questions on the program or campus visits: [email protected]
Questions on program auditions: [email protected]
Distinguished Guests and Teaching Artists
Students interact with internationally recognized artists in classes, productions, and extra-curricular seminars and workshops.
Bill Irwin discusses a life in the theatre with theatre students.
- Bill Irwin, Tony Award winning actor (Sesame Street)
- Greg Kotis, co-writer/composer of Urinetown
- Caroline Aaron, Broadway/TV/film actor
- Kate Bryer, director
- Laura Lee Everett, Executive Director, United States Institute for Theatre Technology (USITT)
- Rob McClure, Broadway actor (Mrs. Doubtfire, Beetlejuice)
- Jenna Place, director
- Sarah Caroline Billings & Kallen Prosterman, playwrights (Disarming Girls)
- Kimberly Bellflower, playwright (John Proctor is the Villian, Lost Girl)
Lost Girl cast and crew on set with Kimberly Bellflower
Meet Guest Artist Jenna Place
Jenna Place will direct Disarming Girls at AU in fall 2025. Place is a DMV based director and educator. DC directing credits include: Dance Nation (Olney Theatre Center); Tuesdays With Morrie (Theater J), The Horse and Carriage (Prologue Theatre), The Velveteen Rabbit (Adventure Theatre), A Delicate Ship (4615), The Heidi Chronicles (Rep Stage), Flood City (Theatre Alliance), What Every Girl Should Know (Forum Theatre), Walk Two Moons; The Giver (National Players), Cabaret (Montgomery College Summer Dinner Theatre), The Winter’s Tale; The Wolves (Catholic University), Urinetown (Monumental Theatre Company), Lucky Stiff (Imagination Stage), JQA (American University), and others. Regional credits include Tuesdays With Morrie (25th Anniversary Tour of Michigan), James and the Giant Peach; Winnie the Pooh and Friends (Pennsylvania Shakespeare Festival), Giant Slalom (Andy's Summer Playhouse). Jenna also teaches at Catholic University and is the Programs Associate at National New Play Network.

News & Notes
Sign up for the AU Arts mailing list for information about upcoming productions.
- Endometriosis The Musical, co-written by Kristin Stowell (and Maria Bartholdi) is at the 2026 Edinburgh Fringe Festival. The production was directed by adjunct professor Nikki Mirza and featured Jason Zuckerman (CAS ’25).
- Meghan Raham’s set design for The Great Privation is part of the exhibition: A People's History: The American Experiment Onstage at the McNay Art Museum in San Antonio.
- Aaron Posner co-wrote and directed a new one-man play and magic show Nothing Up My Sleeve...Simple Deceptions for Curious Humans at Round House Theatre in Bethesda, MD (reviewed by DC Theatre Arts). The show will be remounted at Trinity Rep in Providence, RI in May 2027.
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The Eagle reviewed The Two 'Gentlemen' of Verona, on stage at Greenberg Theatre: AU Department of Performing Arts presents ‘The Two ‘Gentlemen’ of Verona’
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Lindsey Barr co-authored an issue of Studies in Musical Theatre titled “Making access: Crip aesthetics, historiography, and practice on the musical stage.” The publication is the first full-length scholarly journal issue dedicated to looking at disability in musical theatre.
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The Eagle reviewed Disarming Girls, on stage at Greenberg Theatre: AU’s Department of Performing Arts debuts new play ‘Disarming Girls’
- DC Theater Arts' Gregory Ford reviewed Disarming Girls at Greenberg Theatre: In ‘Disarming Girls’ at American University, an act of exemplary resistance
More News and Notes
- Several AU artists are among those recognized in the 2026 Helen Hayes Awards nominations, which honor outstanding achievement in DC-area professional theatre.
- Aaron Posner directed King John at the Shakespeare Theatre Company in summer 2025.
- DC Theater Arts reviewed our production Sometimes the Rain, Sometimes the Sea: In ‘Sometimes the Rain, Sometimes the Sea’ at AU, a fantastical dive into the stories of Hans Christian Andersen.
- The Eagle's Jessica Ackerman reviewed our production In Pieces: A New Musical: American University Department of Performing Arts performs ‘In Pieces’
- DC Theater Arts reviewed our production In Pieces: A New Musical: Sensational vocal chops in new musical ‘In Pieces’ at American University.
- The Eagle's Alia Messina reviewed our production As You Like It: Review: Department of Performing Arts Presents ‘As You Like It’
- DC Theater Arts reviewed our production As You Like It: Shakespeare at his grooviest in ‘As You Like It’ at American University.
- Actor and comedian Jana Bernard's (CAS '17) work was profiled in the Forbes article "New Stand-Up Comedy Event Shows How Humor Gives Hope Vs. Breast Cancer."
- Sirra Faal (CAS '24) was cast in SOJOURNERS by Mfoniso Udofia at Round House Theatre, September 11-October 6.
- Fiona Rose Murphey's (CAS BA '22 and MA '23) article "Queering Neverland: A Dramaturgy of Care," about their work as assistant director in our spring 2023 production of Kimberly Belflower's Lost Girl, was published in the Journal of Consent Based Performance.
- AU alumni and faculty received Helen Hayes Awards in May 2024. Josh Sticklin (CAS '08) received the Helen award for Outstanding Set Design for Seussical at Keegan Theatre. Seussical also received the Helen award for Outstanding Production—Musical, which featured Prof. Jason Arnold (Lighting Designer) and Alli Pearson (CAS '23) (Sound Board Operator). Prof. Jonathan Holmes received the Helen award for Outstanding Lead Performer in a Play for The Honey Trap at Solas Nua.
- Professor Faedra Chatard Carpenter served as Dramaturg for Metamorphoses at the Folger Shakespeare Library.
- Professor Meghan Raham worked as scenic designer for Topdog/Underdog and A Jumping-Off Point at Roundhouse Theatre.
- Professor Aaron Posner directed The Virgin Queen Entertains Her Fool at the American Players Theatre in Spring Green, Wisconsin.
- Professor Nancy Bannon completed a playwrighting residency with the Pittsburgh Public Theater.
- DC Theater Arts' Haley Huchler reviewed Spring Awakening: Desire is deadly in American University’s ‘Spring Awakening’.
- Aaron Posner's adaptation Life Sucks at Interact Theater Company received seven nominations from the Los Angeles Drama Critics Circle for Theatrical Excellence.
- The Eagle's Jessica Ackerman reviewed Urinetown, the Musical: Department of Performing Arts balances satire and strife in 'Urinetown, the Musical'
Robb Hunter (Theatre) received a Helen Hayes Award nomination for Outstanding Choreography in a Play for King Lear at Shakespeare Theatre Company.
DC Theater Arts' Amy Kotkin reviewed Urinetown, the Musical: Satirical ‘Urinetown’ sparkles like new at American University
Aaron Posner’s adaptation of the Chaim Potok novel My Name is Asher Lev is playing at the Théâtre des Béliers Parisiens in Paris as Je m’appelle Asher Lev, February-March.
Aaron Posner’s adaptation of the Chaim Potoknovel The Chosen is playing in March at the Milwaukee Repertory Theatre. Posner is also directing the show, a co-production with Cincinnati Playhouse in the Park.
AU Theatre faculty nominations for Helen Hayes Awards: Janos Szaz (Outstanding Direction of a Play/Angels in America at Arena Stage), Robb Hunter (Outstanding Choreography in a Play/ King Lear at Shakespeare Theatre Company), Shanara Gabrielle (Outstanding Choreography in a Play/ The Lion, the Witch, & the Wardrobe at Adventure Theatre), Angelisa Gillyard, (Outstanding Choreography in a Play / The Hula-Hoopin' Queen at Imagination Stage), and Jonathan Holmes (Outstanding Lead performer in a play / The Honey Trap at Solas Nua).
Adjunct Professorial Lecturer Janos Szasz directed Angels in America: Millennium Approaches at Arena Stage, which appeared on The Washington Post’s list of “The Best of Theatre in 2023.”
DC Theater Arts' Gregory Ford reviewed Damn Things Will Kill Ya by Olivia Luzquinos (CAS '23): Fearless new writing in ‘Damn Things Will Kill Ya’ at American University
The American University Alumni Associated hosted a talk about the Broadway musical Here Lies Love featuring Don Mike Mendoza (SOC/BA ’10, MA ’17). Watch the recording and read Mendoza's profile.
AUTV featured Head Over Heels in its fall broadcast.
The Eagle's Jessica Ackerman reviewed Head Over Heels: Department of Performing Arts presents ‘Head Over Heels’
Professor Carl Menninger spoke on the podcast Mapping the College Audition: An MTCA Podcast about program auditions, blending art and social justice, and more.
FAQ
How many productions does the department put on each year?
The Theatre/Musical Theatre program produces 6 mainstage theatre shows per school year. Our students have the opportunity to participate in a wide range of plays and musicals from classics to contemporary to devised/new works. Our commitment to new works affords students the opportunity to be a part of premiere productions of original new plays and musicals. We produce shows in our blackbox Studio Theatre in the Katzen Arts Center, and in the Greenberg Theatre, a 296-seat proscenium theatre near AU's main campus. In addition to the 6 shows, we also produce Overture (and first-year showcase), the annual 1440 Festival (24 Hour Play event), a New Works Showcase, and Senior Capstones.
Can students get involved with technical theatre and behind-the-scenes experiences?
Yes, there are many opportunities in stage management and technical theatre for both majors and non-majors. Our Design and Production major allows student stage managers and design and technical theatre students to enjoy the same liberal arts foundation courses as our other majors, in addition to gaining terrific hands-on experience. Non-majors can take courses, stage manage, and work on production build/run crews, as well as designing and working student-run productions. Our design and technical students get work on and off campus!
Where are your classes and productions held?
The Katzen Arts Center brings all the visual and performing arts programs at AU into one 130,000 square foot space. Designed to foster interdisciplinary collaboration in the arts, the center provides instructional, exhibition, and performance space for all the arts disciplines. Most of our Theatre/Musical Theatre classes and many of our rehearsals take place in Katzen. The Katzen Studio Theatre is an 80-seat blackbox, which also serves as our primary acting classroom.
The 300-seat Greenberg Theatre on Wisconsin Avenue is accessible to campus, restaurants and the Metro. It is a short walk or bus ride from the main campus. The Greenberg is used for rehearsals and some production classes.
What opportunities does the DC theatre community offer students?
The DC area is the second largest professional theatre market in the country, and it offers a large, diverse and exciting theatre community with over 60 working professional theatres. Students are exposed to a wide range of theatre. We send our students out to see and work on productions, and we bring professional artists into our classrooms and productions.
How can non-majors get involved in theatre?
You don't have to be a major or minor to get involved. Non-majors can take many of our major classes. We also have an open casting policy – meaning any AU student can audition for the shows.
Additionally, student-run groups provide opportunities for actors, directors, playwrights, designers, stage managers, etc. These groups draw students from across the campus and from many disciplines, in addition to our majors and minors.
Can I double major?
Double majors are encouraged at AU, and our Theatre/Musical Theatre majors are designed to allow students the opportunity to double major in any other area of study. Nearly half of our students double major.
Can I study abroad?
The abroad experience is a big part of AU, and about half of our T/MT students go abroad, usually during their junior year. The most popular program is LAMDA (London Academy of Music and Dramatic Art), but we have had students do abroad programs in dozens of countries. Communicate early with your academic advisor and the AU Abroad office to sort out logistics and credits.
Do you do a showcase?
We do not do a showcase. As a BA (Bachelor of Arts) and liberal arts program, a showcase doesn’t match our philosophy. Additionally, showcases are not common for any of the DC-area universities. Each senior completes a Senior Capstone and can invite industry professionals to observe their culminating project. We offer courses like Business of Acting, which helps prepare students for life after graduation. We also have a course called Audition Techniques, which regularly invites industry professionals to work with and observe the work of our students, and the course ends with an audition for local casting and artistic directors.
How is a BA different from a BFA/Conservatory?
A Bachelor of Arts (BA) in Theatre is a broad, liberal arts degree requiring general education and allowing time for a minor or double major. A Bachelor of Fine Arts (BFA) is an intensive, conservatory-style degree where 65% - 80% of your coursework is hyper-focused on a specific craft, like acting, musical theatre, or stage management. We only offer a BA in Theatre/Musical Theatre at AU, because we strongly believe that a student should not only understand all aspects of theatre, but also should go across campus and explore different disciplines and ideas. A well-rounded education helps create an artist of creativity and complexity.